As such, I wanted the tile to speak to the experience of the open, art-house theater, meaning have the ability to focus sound at the center of the theater where the seats are, yet allow for diffusion of sound to both (open) sides for the enjoyment of people passing by or grabbing a lunch before heading to see the movie.
Through stages of manipulation of a simple flat rectangle, I was able to arrive at a shape that would do just that. While keeping edges linear to allow for a simple connection between the tiles, I manipulated points on the simple surface to create wave-like rises and depressions - with orientation leading them to the two outside edges where the theater openings are. The rectangular base is also extruded to give space for all the wiring, cladding, padding, software, and whatever else is needed to make the acoustic tiles work.
As far as materials go, the tiles would alternate between wood and site-cast concrete, creating a visually interesting pattern of reflective and absorptive panels that direct good quality sound to the middle and edges of the theater space. Wood is used not only because of its acoustic properties but also for its psychological effects - it will give the open space feel more comfortable and intimate, creating a unique theater experience that extends beyond the theater itself to include more people yet touch each visitor on an individual, even personal, level.
The connections would be a drill (adhesive) attaching to the ceiling, crossing a noise barrier batts and a furring strip, to attach the panels.
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